Hector A. Gonzalez

June 7, 2023

‘Padre Pio’ Review: “A Biopic for False Reconciliation”

Hector A. Gonzalez
April 3, 2023

‘How to Blow Up a Pipeline’ Review: “Ticking Time-Bomb Eco-Thriller”

Hector A. Gonzalez
October 31, 2022

‘The Good Nurse’ Review: “Undercooked Serial Killer Drama”

Hector A. Gonzalez
September 28, 2022

‘Mona Lisa and the Blood Moon’ Review: “Witch Queen of New Orleans”

Hector A. Gonzalez
August 18, 2022

‘Glorious’ Review: “Gloryholes and Cosmic Nightmares”

Hector A. Gonzalez
July 9, 2022

‘Murina’ Review: “Slowly Sinking Into the Adriatic Sea”

Hector A. Gonzalez
July 2, 2022

‘The Princess’ Review: “A Dull Royal Beat ‘Em Up”

Hector A. Gonzalez
June 20, 2022

‘Elvis’ Review: “Heart Heavy Laden, I Felt Fire Down In”

Hector A. Gonzalez
June 19, 2022

‘Dark Glasses’ Review: “A Disappointing Return of a Famed Auteur”

Hector A. Gonzalez
June 6, 2022

‘Mad God’ Review: “A Nightmare Brought to Life”

Hector A. Gonzalez

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